Look at that artwork! No, seriously, look at it. Your first impressions will probably be similar to mine – that it’s crude, violent, and wonderfully over-the-top. But look closer, and there’s something more to it; it’s clear that the overall effect is completely intentional, with small aspects that demonstrate subtle talent. The same is true of the music contained within. Both Black Knife and Lustrum make music that, on the surface, is every bit as lurid as the cover to this split, all 80’s extreme thrash riffs, punk violence, and snarling, proto-black metal vocals. But such is the conviction and talent of the bands that there’s no mistaking this for anything other than the real deal, and it’s bloody brilliant fun.
At the start of the week, I had the idea that I would try and focus on more beautiful, hopeful music this week. Yet, as you’ll see, by Tuesday that idea was long gone – and by Thursday, and the way the American government seemed to be treating survivors of sexual assault, nothing felt appropriate save absolute rage. Fuck the patriarchy. Burn it all down.
This edition of short reviews take in some very interesting stuff, including one of my favourite releases of the year (which is it? Read on to find out!). It also features a split that, though I find it flawed musically, I can’t help but want to emphasise how much I love it for what it tries to do, and how important it will be to some people. There’s a real mix of the underground and bigger names, with three of the six releases being put out without label support.
So, this month, we have melodic punk; crusty powerviolence; not-actually-war-metal; noise rock; thrash/heavy metal; goth-laced metal that all-but resurrects the spirit of Sister; and blissful blackgaze. Enjoy!
This wek has been a tough one in lots of ways – but rather than wallow in sadness, I’m gonna instead try and focus on just how good the picks for Album of the Day have been this way. Includes a four-way split of emo and related genres; anti-fascist black metal; soul-crushing beauty; and stomping hardcore. Enjoy!
Whilst the Album of the Day feature is now a social-media based feature, I figured it would be useful to have a post at the end of each week recapping the previous selections for the week gone by, all in one convenient place. So, here’s this week’s selections:
Even by the standards of extreme music, this split is pretty harrowing. Clawing blend dark ambient soundscapes with Matt Finney’s spoken word contributions, which – if you’re familiar with his work – you know means that you’re in for an emotionally heavy time. Offerbeest is one of the aliases of Maurice de Jong, perhaps best known for his work as Gnaw Their Tongues. His tracks here are no less devastating than those released under that well-known moniker, being filled with harsh noise and industrial oppression, conjured via analog synths. Hardly an enjoyable trip, then – but it’s not meant to be. Instead, it is a split that forces you to confront your demons, to face what is haunting you, throwing yourself into the nightmare and hoping to emerge on the other side.