Album of the Day: Feral Nun – Demo Tape


Label: Negate Everything

Rough, raw, and with everything pushed in to the red, the demo tape from Feral Nun is a 10 minute riot of gothic post-punk. Crude in the best possible way, this is the what Bauhaus or Joy Division would have sounded like were they even more strung-out on anxiety and desperation than was already true, spitting out shorts bursts of violence and catharsis. In short, it’s bloody great.

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2017 Favourites – Top 5

And so to the end; here, after a few hundred records, and lots of thought, are the five records I consider to be the best released this year. It’s interesting to note that, whilst 2017 has generally been considered a strong year for death metal, it’s black metal which dominates my list – there were lots of good death metal releases, but none I felt that matched these five. Feel free to disagree, and there’s some strong albums that didn’t make the final cut, but this is a rock-sold five that have, in large part, defined 2017 for me. Enjoy!

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January 2017 Blasts

Funny to think how much has changed in this past year. Comparing where the world is now with where it was when I posted my first set of short reviews a year ago is sobering. Let’s try not to dwell on that though, and have some music instead. This month there’s words on the new single from melo-death band EshtadurCornered At The Earth; artful post-punk by Russians  Mirrored Lips on чичичи; hyperspeed fastcore on the split between Beartrap and Hummingbird Of Death; soul-crushing black/death on Breeding Ruin by Dawn Of Tyrants; grindcore as love by The Brood on The Truth Behind; and psychedelic doom/stoner from Heavy Temple on new record Chasit. Enjoy!

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2016 Favourites – And The Rest

2016 has been the year that saw me listen to, and review, more music than ever before. For every release that gets reviewed, there’s several that I don’t have the time to write something on; or that I listen to, but simply don’t get excited over. It’s also worth bearing in mind the purposes of this blog – exploring the underground. With the odd exception (such as the new Darkthrone), I have no interest in writing in the “big” releases; I want to help give some exposure and coverage to the small and underground, not go chasing whatever review or feature will get me the most hits. I’d also point out that it’s easy to lose sense of what actually is mainstream and underground when you spend so much time immersed in music. Sure, everyone may have access to Bandcamp and Youtube and a legion of Spotify recommendations, but  it’s easy to overestimate just how big our favourite bands are.

That said, there’s still some mainstream releases I’ve really enjoyed this year and want to share some thoughts on in another post. But here, I want to take the time to give shout-outs to those more underground releases which didn’t quite make the cut for my list of 25 favourites of the year.

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Mirrored Lips – MOM


Label: Cruel Nature Records

Punk rock means different things to different people; there’s no real common sound to it any more (if there ever was), and as would be expected some 40 years on from its inception, the genre has splintered off in to a huge variety of different scenes and styles. Arguably the only thing that can still reliably identify something as punk rock is a rebellious spirit, and that’s something Mirrored Lips have in abundance on MOM. You don’t need to understand the Russian lyrics to appreciate what the trio have created here, with the creative, rebellious soul of the band coming through clearly no matter what language you speak. A challenging, varied listen, MOM is noisy, difficult, and everything I like my punk rock to be.

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