A delightfully mixed selection for this week’s Album of the Day recap, taking in indigenous black metal; blackgaze; old-school crust punk; powerviolence-infused anti-fascist hardcore; and mind-expanding psychedelic black metal. It’s possibly the most varied selection yet, which, considering the way that Album of the Day gleeful hops between genres, is quite something. Enjoy!
This edition of short reviews take in some very interesting stuff, including one of my favourite releases of the year (which is it? Read on to find out!). It also features a split that, though I find it flawed musically, I can’t help but want to emphasise how much I love it for what it tries to do, and how important it will be to some people. There’s a real mix of the underground and bigger names, with three of the six releases being put out without label support.
So, this month, we have melodic punk; crusty powerviolence; not-actually-war-metal; noise rock; thrash/heavy metal; goth-laced metal that all-but resurrects the spirit of Sister; and blissful blackgaze. Enjoy!
Label: The Flenser
There’s often a tendency for post-black metal bands to focus on the “post” part of the equation, with the more memorable sections of their music being the more expansive and, for want of a better word, “pretty” sections. This has been as true for Bosse-de-Nage in the past as it has for any other post-black metal band; but now, on Further Still, those moments are relative calm are all-but abandoned, with the songs instead being tight, controlled bursts of fury. If most other post-black metal pulls from post-rock, shoegaze, and Cascadian black metal, then Further Still is post-black via way of Battles in the North and the most furious of post-hardcore. It is vicious, unrelenting, and impossible to deny its power.
This wek has been a tough one in lots of ways – but rather than wallow in sadness, I’m gonna instead try and focus on just how good the picks for Album of the Day have been this way. Includes a four-way split of emo and related genres; anti-fascist black metal; soul-crushing beauty; and stomping hardcore. Enjoy!
Label: Devoted Art Propaganda
Cy isn’t your typical release. The new album from Polish band Koniec Pola opens with the sound of bells, swirling winds, warped percussion, and, after several minutes, a burst of heavily twisted voices. It gets no easier from there. Stradling the lines between post-rock, post-black metal, traditional folk, and all wrapped up in a defiantly avant-garde mindset and psychedelic atmosphere, Cy is the kind of album that you might get if Negura Bunget and Einsturzende Neubauten decided to do a record together. Based around the concept of a place that is simultaneously real and imaginary, and making use of unique instruments crafted by the band themselves in addition to the traditional bass/guitar/drums set-up, Cy is a unique album, full of adventurous, experimental spirit.
The metal scene in Nottingham is in rude health as of recent years, with new, exciting bands forming, gigging, and releasing records. There’s especially been a growth in the size and quality of the local black metal scene recently, with bands such as Underdark and Antre at the front of this. The new split between the two acts is a furious ten minutes of searing black metal, and demonstrates just why both bands have something of a buzz around them at present in the underground.
Toward Akina, the second album from Italian band Seventh Genocide, is a pretty distinctive beast. Though the marketing and press releases tag this album as post-black metal, the emphasis is very much on the “post” part of that equation. There are far more sections on Toward Akina that recall Pink Floyd’s psychedelic sounds, or even the raw emotional passion of late-90’s/early-00’s screamo than there are moments of classic black metal coldness. It may not appeal to those who judge a record by it’s kvlt appeal, but if genre is less of a concern than the music simply being good, then Toward Akina has a lot to offer.