Review: Gnaw Their Tongues & Crowhurst – Burning Ad Infinitum


Label: Crown and Thorne Ltd (vinyl) / Tartarus Records (cassette)

At some point in the distant future, the world will end. The end of humanity is coming ever-sooner, to the extent that human extinction within the next hundred years is ever-more likely. And then there’s the period after that ending, up until the expansion of the sun, consuming the Earth so that there is no trace of our species left. Between those two points, the broken machinery and ruins of cities will be our legacies – automated processes screaming in to the void, computers and robots toiling away uselessly until their circuits finally give way to an ending. It’s this bleak future that Burning ad Infinitum makes me think of, with the collaboration between Gnaw Their Tongues and Crowhurst combining noise, drone, and bursts of grinding metal in the most inhospitable and damaged of ways.

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Album of the Day recap: 16/7/18 – 20/7/18


Whilst the Album of the Day feature is now a social-media based feature, I figured it would be useful to have a post at the end of each week recapping the previous selections for the week gone by, all in one convenient place. So, here’s this week’s selections:

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Five of the Best – Olivia Neutered John Influences

Grind is protest – well all know this. But sometimes, other than a vague sense of “society is bullshit” style slogans, it can be unclear exactly what a band is protesting against. That’s not the case with Olivia Neutered John. The London-based project focuses it rage on how society treats women, flipping the typical gendered dynamic of death and goregrind lyrics on their head. Ahead of the release of Complete Castration – a compilation that will bring together previous releases The Toxic OrgyTransphobia Annihilation Squad, and Kill All Men (Starting With The White Ones), and will include several new tracks – we asked mainman Dick Weeks about the five biggest influences on the project. Some might be what you’d expect from a death-grind band, but some are perhaps a bit surprising; yet, within the context of Olivia Neutered John’s sound and lyrical aims, they all make complete sense. Here they are, in the words of the mainman himself.

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Review: Warfuck – This Was Supposed to be Fun

WARFUCK - This Was Supposed To Be Fun - Early Access - cover

Label: Lixiviat Records

Can we all agree that Warfuck is a pretty terrible name for a band? With that said, if you can get over the band name, then you’re in for a treat of high-tempo, furious grindcore, with This Was Supposed to be Fun unleashing 22 minutes of grind that races by in a blur of 1 minute songs and 2 minute-long epics. It might not be smart, or clever, but, situated somewhere between Nasum and Magrudergrind, it sure is a lot of fun. This is grind as a righteous expression of energy and rage, filled with riffs that last seconds yet still manage to be catchy, impassioned vocals, and drums that absolutely refuse to ever let the intensity drop.

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Album of the Day: Unholy Grave – Revoltage


Label: Agromosh Records

Mainstays of the Japanese grind scene, Unholy Grave have a discography as long as most of their songs are short – so, very. Just look at it, in all its glory! Over the years, they’ve never lost their passion for short bursts of FETO-style grinding rage, with lyrics that recall the early days of the genre, all about social issues, politics, and anti-fascism. Of all their records, Revoltage is the one I come back to year after year; it may not be their best (but with 162 or so releases, who can judge?), but it’s a great example of the band’s energy and raw-as-fuck grind assault.

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Album of the Day: HIRS – YØU CAN’T KILL US


Label: Get Better Records

Over the course of just under six minutes, HIRS unleash one of the most vital, urgent grind records of recent years in YØU CAN’T KILL US. The abrasive nature of punk-infused grind is clear right from the start, with opener ‘NØT FØR YØU’ launching right into a full-blooded, groove-laden grinding rage, and the EP doesn’t let up from there. “We’re not for you!” goes the repeated refrain, and it’s utterly true – this is the sound of a space being carved out for those who do not feel they fit in with the sexist, transphobic, and otherwise discriminatory nature of modern Western society, where existence is an inherently defiant act.

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