Five of the Best – Olivia Neutered John Influences

Grind is protest – well all know this. But sometimes, other than a vague sense of “society is bullshit” style slogans, it can be unclear exactly what a band is protesting against. That’s not the case with Olivia Neutered John. The London-based project focuses it rage on how society treats women, flipping the typical gendered dynamic of death and goregrind lyrics on their head. Ahead of the release of Complete Castration – a compilation that will bring together previous releases The Toxic OrgyTransphobia Annihilation Squad, and Kill All Men (Starting With The White Ones), and will include several new tracks – we asked mainman Dick Weeks about the five biggest influences on the project. Some might be what you’d expect from a death-grind band, but some are perhaps a bit surprising; yet, within the context of Olivia Neutered John’s sound and lyrical aims, they all make complete sense. Here they are, in the words of the mainman himself.

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Review: Warfuck – This Was Supposed to be Fun

WARFUCK - This Was Supposed To Be Fun - Early Access - cover

Label: Lixiviat Records

Can we all agree that Warfuck is a pretty terrible name for a band? With that said, if you can get over the band name, then you’re in for a treat of high-tempo, furious grindcore, with This Was Supposed to be Fun unleashing 22 minutes of grind that races by in a blur of 1 minute songs and 2 minute-long epics. It might not be smart, or clever, but, situated somewhere between Nasum and Magrudergrind, it sure is a lot of fun. This is grind as a righteous expression of energy and rage, filled with riffs that last seconds yet still manage to be catchy, impassioned vocals, and drums that absolutely refuse to ever let the intensity drop.

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Album of the Day: Unholy Grave – Revoltage


Label: Agromosh Records

Mainstays of the Japanese grind scene, Unholy Grave have a discography as long as most of their songs are short – so, very. Just look at it, in all its glory! Over the years, they’ve never lost their passion for short bursts of FETO-style grinding rage, with lyrics that recall the early days of the genre, all about social issues, politics, and anti-fascism. Of all their records, Revoltage is the one I come back to year after year; it may not be their best (but with 162 or so releases, who can judge?), but it’s a great example of the band’s energy and raw-as-fuck grind assault.

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Album of the Day: HIRS – YØU CAN’T KILL US


Label: Get Better Records

Over the course of just under six minutes, HIRS unleash one of the most vital, urgent grind records of recent years in YØU CAN’T KILL US. The abrasive nature of punk-infused grind is clear right from the start, with opener ‘NØT FØR YØU’ launching right into a full-blooded, groove-laden grinding rage, and the EP doesn’t let up from there. “We’re not for you!” goes the repeated refrain, and it’s utterly true – this is the sound of a space being carved out for those who do not feel they fit in with the sexist, transphobic, and otherwise discriminatory nature of modern Western society, where existence is an inherently defiant act.

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Album of the Day: Brujeria – Viva Presidente Trump!


Label: Nuclear Blast Records

Of all the protest songs written over the past few years, I can think of few that are as righteous, and as enjoyable, as Viva Presidente Trump! by Brujeria. The Mexican drug-lord image of the band is perfectly aligned with the theme of the song – “[Trump] wants war? / And so do I!” – and helps with the song’s sense of humour, especially with the way it uses the opening sample of a Trump campaign speech. But more than that, Viva Presidente Trump! is simply an ass-kicker of a death-grind song, with one hell of a central, bass-driven riff.

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Review: Filth X Collins / Skinlover – Split


Label: Vetala Productions / Rip Roaring Shit Storm / F H E D / Fenland Hardcore Collective

Looking for something fast, loud, and ugly? Then you’ll want this split between FilthxCollins and Skinlover. Grind, powerviolence, and fast punk is the order of the day, racing ahead at absurd speeds, with riffs (and songs!) over before you barely know they’ve started. No song on here lasts longer than 95 seconds, yet both bands still manage to pack in a bunch of killer riffs and movements. If you’re having a tough time getting going before work, then this’ll help get you out of back – or consider packing the whole “employment” thing in and staying home to play grind instead.

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Album of the Day: Let it Die – The Liar and The Saint


Label: Self-released

The Liar and The Saint, the debut album of grind three-piece Let It Die, does not fuck around. Sure, they might have a few moments of slower, feedback-drenched build-up in amongst the hardcore/grind fury, but even then, The Liar and The Saint is a full-throttle, teeth-bared onslaught of an album. The slower moments help provide that all-important contrast, making the fast bits hit all the harder; and there’s some killer riffs and breakdowns thrown in to the mix, too. All of this makes The Liar and The Saint one of the hardest hitting records from the UK underground in recent years.

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