Review: Omination – Followers of the Apocalypse


Label: Self-released

Funeral doom, by its very nature, should not be easy to listen to. Music so steeped in misery, in world-ending sorrow and soul-crushing heaviness, should consume the listener, overwhelming you with its desolation until all you can do is immerse yourself within its dark currents, letting its slow tides of despair carry you away. That’s something that one-man act Omination understands, with debut release Followers of the Apocalypse demonstrating why the funeral doom genre is so named. With seven huge, lengthy songs, this album is a monolith in more ways than one, with black metal influences giving its sorrow a vicious edge that keeps the album interesting, never losing momentum no matter how slow or sorrowful it may be.

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Review: Petrichor – No Silver Lining: A Return to Rain


Label: Self-released

It’s been a few years since the release of Rain in 2016, and a few things have changed in that time with Petrichor. The Yorkshire-based doom band are now closing one chapter and starting another, and to mark this change are releasing No Silver Lining: A Return to Rain. As the title suggests, No Silver Lining is something of a revised version of the original Rain album, featuring one new track and re-worked versions of four songs from the original. It’s a brave, bold move – and one the band admit they will make no money from – and is not only a fine companion piece to Rain, but also a strong record in its own right that bodes well for the future of the band.

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Review: Altars of Grief – Iris

Altars of Grief - Iris Cover [2018]

Label: Hypnotic Dirge Records

Despite being “only” 55 minutes long, Iris feels much, much longer. The second album from Altars of Grief is a leviathan of blackened, gothic doom, filled with a spirit that is equal parts mournful and furious. Telling the tale of a father who abandons his sick daughter, only to die and be condemned to watch her slowly succumb to illness, it is every bit as bright as the subject matter implies. And yet, there is something curiously addictive about the album, leaving listeners coming back for more, despite the heart-breaks they know will follow.  Continue reading

Album of the Day: Coltsblood – Ascending into Shimmering Darkness


Label: Candlelight Records / Black Bow Records (vinyl)

There’s been a small storm around Coltsblood recently, following the band’s decision to pull out of a festival that featured other musicians with links to Nazism. Coltsblood didn’t name the musicians in question, simply stating that they didn’t want to be associated with such things, but have still seen some blow-back as a result. So, firstly: maximum respect to Coltsblood for standing up for what they believe in, knowing full well that it would see them get negative attention. And secondly, now is as good a time as any to be reminded of how great Ascending into Shimmering Darkness, their second album, is.

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Album of the Day: Esoteric – Esoteric Emotions – The Death of Ignorance


Label: Aesthetic Death (CD) / Self-released (digital)

It’s great when a band and label recognise that there’s a hunger for their early, out-of-print work. Such is the case with the original demo by extreme funeral doom band EsotericEsoteric Emotions – The Death of Ignorance. Seeing the high prices it was fetching online, and the increasingly poor quality of copies available, the decision was taken to give the demo the reissue and remastering treatment it deserved. Available as a special edition CD, Esoteric Emotions is a work of colossal misery, heavy both musically and emotionally, and has stood the test of time well.

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Album of the Day: Ahab – The Boats of Glen Carrig


Label: Napalm Records

The Boats of the Glen Carrig, the fourth album from nautical funeral doom band Ahab, is, in some ways, quite unusual for funeral doom. Whilst a lot of the genre will ask a lot of the listener, there’s something about this album that makes it very easy to sink in to, letting its waves wash over you for hours at a time. Emotionally charged, with a contemplative quality to the soundscapes it conjures, this is an album every bit as deep and captivating as its superb cover artwork.

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