Review: Transcendence – Hour of the Summoning

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Label: Blood Harvest 

The old school death metal revival is really in rude health, and I think it’s safe to declare it one of – if not the – biggest things happening in the metal underground in recent times. Alongside a considerable number of bands who owe considerable debts to Incantation, more and more bands are releasing records which celebrate the g(l)ory days of Autopsy. The latest EP from TranscendenceHour of the Summoning, does just that. Grim, grisly, and packed full of flesh-tearing riffs, this EP delights in the old-school death metal filth it conjures, and what it may lack in originality, it more than makes up for with atmosphere, energy, and the sheer joy of hearing dirty death metal riffs played with such obvious passion.

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Album of the Day Recap: 30/7/18 – 3/8/18

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Album of the Day for the past week took on a distinctly death metal flavour as the week went on, but there’s still plenty of variety to be found, with as much emotional heaviness and there is musical. Enjoy!

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Review: Mutilate – All Life Ends

MUTILATE - ALL LIFE ENDS

Label: Camo Pants Records

Following the release of debut full-length Tormentium on Iron Bonehead Records, New York’s Mutilate are back with All Life Ends, a three-track, ten minute demo that sounds just as nasty and fetid as the cover art would have you hoping. As with that album, and their previous demo Fortress of Suffering, there is literally nothing new here – this is death metal as it was when the genre first clawed itself out of its shallow grave to inflict pain and suffering upon the world. This could well have been recorded in 1987 and only just now been unleashed upon the world; and that is exactly the point.

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Review: Stormland – Songs of Future Wars

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Label: Self-released

Sci-fi and fantasy is practically woven in to the DNA of metal, and there are plentiful examples of it in extreme metal’s history, whether it be bands taking inspiration from the obvious culprits (see: the plethora of bands taking names from the works of J.R.R. Tolkein), to Trey Azagthoth giving praise to 80’s NIntendo games in the linear notes to Covenant and being pictured with his anime collection, to Gridlink writing songs inspired by Neon Genesis Evangelion and the Culture novels of Iain Banks. One-man death metal band Stormland‘s latest album, Songs of Future Wars, is heavily inspired by the Mobile Suit Gundam metaseries, but as with those previous examples, you don’t need to know your RX-78-2 from your EVA Unit 00 to enjoy it, as this is a solid slice of death metal that pulls from multiple strands of the genre to create something crushing.

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2018 Favourites: (just over) half-way edition

So, we’re a bit over halfway through 2018, and there’s been some excellent records released. Most notably, 2018 is shaping up to be an excellent year for death metal – bands such as Tomb MoldOur Place of Worship is Silence, MemoriamSlugdge, and practically everyone on the Dark Descent Records roster are killing it with top-tier death metal. Things aren’t quite so grand when it comes to black metal, but the new Immortal is pretty note-worthy, and there’s been a few other strong releases in the underground – including the final release by Cosmic Church.

Here, I’ll pick out ten of my favourite records released so far this year, in alphabetical order. Hopefully you’ll find something new here to enjoy, or be reminded of something you were in to earlier in the year. Enjoy!

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Review: Witchgöat – Umbra Regit

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Label: Morbid Skull Records

A lesson that’s often overlooked in extreme metal is the importance of melody. You can blast away at 666 BPM, and your riffs can be as crude and violent as an army of rampaging demons, but without even a hint of melody odds are that it won’t half the desired impact. There are exceptions, of course, but these are few and far between. This lesson is one that Witchgöat have well learned, with their Umbra Regit demo demonstrating a band who appreciate the importance of melody in creating something vicious. Sitting somewhere between 90’s Dissection and 80’s German thrash, this is old-school through and through, and highly effective.

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Album of the Day recap: 16/7/18 – 20/7/18

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Whilst the Album of the Day feature is now a social-media based feature, I figured it would be useful to have a post at the end of each week recapping the previous selections for the week gone by, all in one convenient place. So, here’s this week’s selections:

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