Five of the Best – Olivia Neutered John Influences

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Grind is protest – well all know this. But sometimes, other than a vague sense of “society is bullshit” style slogans, it can be unclear exactly what a band is protesting against. That’s not the case with Olivia Neutered John. The London-based project focuses it rage on how society treats women, flipping the typical gendered dynamic of death and goregrind lyrics on their head. Ahead of the release of Complete Castration – a compilation that will bring together previous releases The Toxic OrgyTransphobia Annihilation Squad, and Kill All Men (Starting With The White Ones), and will include several new tracks – we asked mainman Dick Weeks about the five biggest influences on the project. Some might be what you’d expect from a death-grind band, but some are perhaps a bit surprising; yet, within the context of Olivia Neutered John’s sound and lyrical aims, they all make complete sense. Here they are, in the words of the mainman himself.

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Album of the Day: Cannibal Corpse – Red Before Black

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Label: Metal Blade Records

Sometimes, after a bad day, you want music that takes you somewhere else – whether that be some calming ambient vibes, or psychedelic explorations of space, or atmospheric black metal that recalls forests you have never visited. And some days, you want music that sounds like a murderous rampage, and for days like that, it’s hard to do better than Cannibal Corpse. Their latest album, Red Before Black, was as strong as you’d expect from such a reliable band of veterans, and as time goes on, its place within their discography becomes clearer.

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2017 Favourites – Part I

It doesn’t feel like that long ago since I was writing my list for 2016… and yet, at the same time, it feels like a lifetime has passed. 2017 has been a very busy year, and very trying in parts. As a result, I’ve had less time and energy for The Sound Not That Word than at any time before, which has resulted in less reviews being posted. It’s something I’m still not entirely sure how to balance, and may well see my writing take on different forms in the coming year. We shall see.

Anyway. Enough of that for now. Everywhere else is doing lists, and so am I. Writing this is a good opportunity to go over releases from the year, to remember how good some were, and to give coverage to some I never got to write about. As always, these are my favourites – better records may have been released this year, but these are the ones I enjoyed most. The first twenty will be in alphabetical order, over two posts; with the top five given their own ranking. Enjoy!

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