Review: Atrament – Scum Sect

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Label: Sentient Ruin Laboratories

Atrament‘s previous album, Eternal Downfall, was a conscise blast of blackened crust, ticking all the right boxes without ever risking over-staying its welcome. The follow-up album, Scum Sect, largely picks up where that one left off; which is to say, it’s a barbaric onslaught of violence and filth, with D-beat rhythms providing the backdrop for riffs that are heavy in decay and danger. Given that Atrament contains members of bands such as Vastum, Necrot, and Abstracter, odds are you’ll come to Scum Sect with high expectations; and it’s safe to say that the album meets them.

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Album of the Day recap: 17/09/18 – 21/09/18

It’s a hectic time recently, with lots of overtime at work – including weekends. But Album of the Day rolls on, and here’s this week’s recap, with Japanese hardcore; modern emo; soul-destroying doomgaze; brutal tech-death; and blackened screamo. Enjoy!

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Album of the Day: Wildspeaker – Spreading Adder

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Label: Prosthetic Records

It wasn’t so long ago that I felt certain that blackened crust was going to be the next big “thing” in underground music. The marriage of black metal nihilism with crust punk fury seemed so natural, with the two styles complimenting one another so well musically and intellectually, that it seemed inevitable that the style was going to be huge. And yet, most bands playing in the style feel quite disappointing, unable to put across the passion and fury the music demands. Wildspeaker are an exception to this, and on Spreading Adder, they sounded as furious, urgent, and vital as ever.

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2017 Favourites – Part I

It doesn’t feel like that long ago since I was writing my list for 2016… and yet, at the same time, it feels like a lifetime has passed. 2017 has been a very busy year, and very trying in parts. As a result, I’ve had less time and energy for The Sound Not That Word than at any time before, which has resulted in less reviews being posted. It’s something I’m still not entirely sure how to balance, and may well see my writing take on different forms in the coming year. We shall see.

Anyway. Enough of that for now. Everywhere else is doing lists, and so am I. Writing this is a good opportunity to go over releases from the year, to remember how good some were, and to give coverage to some I never got to write about. As always, these are my favourites – better records may have been released this year, but these are the ones I enjoyed most. The first twenty will be in alphabetical order, over two posts; with the top five given their own ranking. Enjoy!

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Caïna / Cara Neir – Split

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Label: Broken Limbs Recordings

This was an unexpected surprise. I had thought that Christ Clad In White Phosphorous was to be Caïna’s final recorded output, but evidently not, as this split with blackened crust masters Cara Neir has emerged. Each band has a single track, though that’s all that both bands need to demonstrate their talent and unorthodox natures. Whilst both bands may have different sounds, it’s safe to say that their mentalities are comparable, making this split a bittersweet triumph – triumphant because of its undeniable quality, but bittersweet as this now marks the last output of Caïna to be committed to tape.

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2016 Favourites – And The Rest

2016 has been the year that saw me listen to, and review, more music than ever before. For every release that gets reviewed, there’s several that I don’t have the time to write something on; or that I listen to, but simply don’t get excited over. It’s also worth bearing in mind the purposes of this blog – exploring the underground. With the odd exception (such as the new Darkthrone), I have no interest in writing in the “big” releases; I want to help give some exposure and coverage to the small and underground, not go chasing whatever review or feature will get me the most hits. I’d also point out that it’s easy to lose sense of what actually is mainstream and underground when you spend so much time immersed in music. Sure, everyone may have access to Bandcamp and Youtube and a legion of Spotify recommendations, but  it’s easy to overestimate just how big our favourite bands are.

That said, there’s still some mainstream releases I’ve really enjoyed this year and want to share some thoughts on in another post. But here, I want to take the time to give shout-outs to those more underground releases which didn’t quite make the cut for my list of 25 favourites of the year.

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