2016 Mainstream Thoughts – David Bowie, The Pixies, Metallica

As discussed previously, whilst the focus of this blog is on the underground, it’s also important to remember that mainstream artists can also release music that’s more than worthwhile, or challenging in some way. With this in mind, I’ll be giving here my thoughts on three very different mainstream albums I spent some time with this year, taking in David Bowie‘s BlackstarHead Carrier by The Pixies; and Metallica‘s Hardwired… To Self-Destruct. This was initially planned as a short section on a previous End Of Year post, but grew in to its own beast; here it is, in all its chart-topping, special edition glory.

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2016 Favourites – And The Rest

2016 has been the year that saw me listen to, and review, more music than ever before. For every release that gets reviewed, there’s several that I don’t have the time to write something on; or that I listen to, but simply don’t get excited over. It’s also worth bearing in mind the purposes of this blog – exploring the underground. With the odd exception (such as the new Darkthrone), I have no interest in writing in the “big” releases; I want to help give some exposure and coverage to the small and underground, not go chasing whatever review or feature will get me the most hits. I’d also point out that it’s easy to lose sense of what actually is mainstream and underground when you spend so much time immersed in music. Sure, everyone may have access to Bandcamp and Youtube and a legion of Spotify recommendations, but  it’s easy to overestimate just how big our favourite bands are.

That said, there’s still some mainstream releases I’ve really enjoyed this year and want to share some thoughts on in another post. But here, I want to take the time to give shout-outs to those more underground releases which didn’t quite make the cut for my list of 25 favourites of the year.

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2016 Favourites – Part II

Following on from Part I, which can be read here, here is the second installment of my favourite releases from this year; still in alphabetical order, and still full of awesome, wonderfully diverse music. The top five will follow soon, along with a few other reflections on the past year. But in the meantime, enjoy!

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2016 Favourites – Part I

And so here we are, fast approaching the end of 2016, and what a year it has been. Leaving aside all that has happened in the world at large, there have been plenty of worthwhile releases in the world of underground music (and even some decent mainstream ones, too). Over these posts, I’ll be picking out some of my favourites – albums, EPs, and demos that kept me coming back for more, and which have shaped my impression of 2016 in a musical sense. The first few posts will go through records in alphabetical order; it’s only once we reach the end that I’ll assign a ‘top 5’, and also give a brief overview of some releases that didn’t quite make the cut, and even a handful of mainstream highlights. Just because you can buy something in a HMV, it doesn’t always mean it’s shit.

The usual disclaimer applies – these are my favourites, which means they are not necessarily the best records of the year. There’s far more released than I can keep track of, and to hold even 25 records up and say “these are the best” feels dishonest. And, as you might expect, there is some cross-over with my summer ‘best of 2016 so far‘ list. But, whatever. Enough of this. On to the first part of the list.

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2016 Favourites (so far)

There’s a lot of music out there; too much to adequately cover, and it’s easy for worthwhile records to get lost in the sea of noise that exists on the internet. That’s why I’ve decided to present a list of some of my favourite records of 2016 so far. As with all my lists, they may not necessarily be the ‘best’, but they’re my favourites, and that’s close enough. There might be the odd one that got released at the very end of 2015, but whatever. It’s the thought that counts.

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