The old school death metal revival is really in rude health, and I think it’s safe to declare it one of – if not the – biggest things happening in the metal underground in recent times. Alongside a considerable number of bands who owe considerable debts to Incantation, more and more bands are releasing records which celebrate the g(l)ory days of Autopsy. The latest EP from Transcendence, Hour of the Summoning, does just that. Grim, grisly, and packed full of flesh-tearing riffs, this EP delights in the old-school death metal filth it conjures, and what it may lack in originality, it more than makes up for with atmosphere, energy, and the sheer joy of hearing dirty death metal riffs played with such obvious passion.
It’s safe to say that the common thread that unites practically everything covered on The Sound Not The Word – regardless of genre, popularity, or anything else – is a sense of heaviness, be it musical or emotional. Beast to Love is an exception to that rule of thumb. The second album from Brine – following their Kill the Ill debut and New Brunswick EP – is a melodic, catchy, summery blast of post-punk melodies and power pop energy, full of bright energy and a sense of fun.
Every so often, a band will come your way that remind you why you feel in love with hardcore in the first place; where their blend of melody and hard-hitting riffs combine in those energetic, intense ways that take you back to your youth, making you feel like a teenager again in the best way possible. It’s that feeling that Eisberg give me, and never more so than on their new record Few Will Remain. Striking a masterful balance between the melodic and the brutal, with a sincerity and sense of conviction that cannot be faked, this release is one that exemplifies all that is good in hardcore. It’s been a long time coming – five years since their last tape, and seven since their original demo – but the wait has been more than worth it.
“Man plans and god laughs”; so goes the old saying. There are things that will happen to all of us that we have no control over, and that will come upon us with no warning, upending the order of our lives and leaving us to do what we can to pick up the pieces and carry on. Aside from the everyday practicalities of coping with a major loss or change, there is the emotional aspect too, which is where From a Father’s Son comes in. When his father was diagnosed with an advanced cancer that would soon take his life, Jimmy Sisco created the Anchorhold project to document that time and his memories. As you’d expect, it’s an emotional journey, and hugely heart-felt, with an intensely personal – yet universal – heart.
Album of the Day for the past week took on a distinctly death metal flavour as the week went on, but there’s still plenty of variety to be found, with as much emotional heaviness and there is musical. Enjoy!
We all need a band like Allfather in our lives. The UK five-piece exemplify all that is good in metal, with their mission in life seemingly to be to remind us all of just how much fun heavy music can be. With a combination of sludge-tinged riffs, commanding, gruff vocals, and an all-around “fuck you” attitude, Allfather are here to make heads bang. They achieved just that with first album Bless the Earth With Fire, and now follow-up And All Will Be Desolation continues that mission, with tighter song-writing, a greater sense of confidence, and impassioned lyrics that do their “riffs against fascism” merch justice.